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            Published by Admin on April 28, 2025
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            โ„–1 (97) 2025

            แƒฌแƒแƒ™แƒ˜แƒ—แƒฎแƒ•แƒ / Read

            แฒกแฒแฒ แฒ”แฒ“แฒแฒฅแฒชแฒ˜แฒ แฒกแฒแฒ‘แฒญแฒ
            EDITORIAL BOARD

            แƒšแƒ”แƒšแƒ แƒแƒฉแƒ˜แƒแƒฃแƒ แƒ˜
            แƒ™แƒ˜แƒœแƒแƒ›แƒชแƒแƒ“แƒœแƒ”, แƒกแƒแƒฅแƒแƒ แƒ—แƒ•แƒ”แƒšแƒแƒก แƒจแƒแƒ—แƒ แƒ แƒฃแƒกแƒ—แƒแƒ•แƒ”แƒšแƒ˜แƒก แƒ—แƒ”แƒแƒขแƒ แƒ˜แƒกแƒ แƒ“แƒ แƒ™แƒ˜แƒœแƒแƒก แƒกแƒแƒฎแƒ”แƒšแƒ›แƒฌแƒ˜แƒคแƒ แƒฃแƒœแƒ˜แƒ•แƒ”แƒ แƒกแƒ˜แƒขแƒ”แƒขแƒ˜แƒก แƒฎแƒ”แƒšแƒแƒ•แƒœแƒ”แƒ‘แƒแƒ—แƒ›แƒชแƒแƒ“แƒœแƒ”แƒแƒ‘แƒ˜แƒก แƒ“แƒแƒฅแƒขแƒแƒ แƒ˜, แƒžแƒ แƒแƒคแƒ”แƒกแƒแƒ แƒ˜
            Lela Ochiauri
            Doctor of Arts, Professor of Shota Rustaveli Theater and Film Georgia State University

            แƒœแƒแƒขแƒ แƒ’แƒ”แƒœแƒ’แƒ˜แƒฃแƒ แƒ˜
            แƒฎแƒ”แƒšแƒแƒ•แƒœแƒ”แƒ‘แƒแƒ—แƒ›แƒชแƒแƒ“แƒœแƒ”, แƒกแƒแƒฅแƒแƒ แƒ—แƒ•แƒ”แƒšแƒแƒก แƒจแƒแƒ—แƒ แƒ แƒฃแƒกแƒ—แƒแƒ•แƒ”แƒšแƒ˜แƒก แƒ—แƒ”แƒแƒขแƒ แƒ˜แƒกแƒ แƒ“แƒ แƒ™แƒ˜แƒœแƒแƒก แƒกแƒแƒฎแƒ”แƒšแƒ›แƒฌแƒ˜แƒคแƒ แƒฃแƒœแƒ˜แƒ•แƒ”แƒ แƒกแƒ˜แƒขแƒ”แƒขแƒ˜แƒก แƒฎแƒ”แƒšแƒแƒ•แƒœแƒ”แƒ‘แƒแƒ—แƒ›แƒชแƒแƒ“แƒœแƒ”แƒแƒ‘แƒ˜แƒก แƒ“แƒแƒฅแƒขแƒแƒ แƒ˜, แƒžแƒ แƒแƒคแƒ”แƒกแƒแƒ แƒ˜
            Nato Gengiuri
            Doctor of Arts, Professor of Shota Rustaveli Theater and Film Georgia State University

            แƒ’แƒ˜แƒแƒ แƒ’แƒ˜ แƒชแƒฅแƒ˜แƒขแƒ˜แƒจแƒ•แƒ˜แƒšแƒ˜
            แƒ—แƒ”แƒแƒขแƒ แƒแƒšแƒแƒ’แƒ˜, แƒกแƒแƒฅแƒแƒ แƒ—แƒ•แƒ”แƒšแƒแƒก แƒจแƒแƒ—แƒ แƒ แƒฃแƒกแƒ—แƒแƒ•แƒ”แƒšแƒ˜แƒก แƒ—แƒ”แƒแƒขแƒ แƒ˜แƒกแƒ แƒ“แƒ แƒ™แƒ˜แƒœแƒแƒก แƒกแƒแƒฎแƒ”แƒšแƒ›แƒฌแƒ˜แƒคแƒ แƒฃแƒœแƒ˜แƒ•แƒ”แƒ แƒกแƒ˜แƒขแƒ”แƒขแƒ˜แƒก แƒฎแƒ”แƒšแƒแƒ•แƒœแƒ”แƒ‘แƒแƒ—แƒ›แƒชแƒแƒ“แƒœแƒ”แƒแƒ‘แƒ˜แƒก แƒ“แƒแƒฅแƒขแƒแƒ แƒ˜, แƒแƒ›แƒแƒ•แƒ” แƒฃแƒœแƒ˜แƒ•แƒ”แƒ แƒกแƒ˜แƒขแƒ”แƒขแƒ˜แƒก แƒ“แƒ˜แƒ›แƒ˜แƒขแƒ แƒ˜ แƒฏแƒแƒœแƒ”แƒšแƒ˜แƒซแƒ˜แƒก แƒกแƒแƒฎแƒ”แƒšแƒแƒ‘แƒ˜แƒก แƒกแƒแƒ›แƒ”แƒชแƒœแƒ˜แƒ”แƒ แƒ-แƒ™แƒ•แƒšแƒ”แƒ•แƒ˜แƒ—แƒ˜ แƒ˜แƒœแƒกแƒขแƒ˜แƒขแƒฃแƒขแƒ˜แƒก แƒ“แƒ˜แƒ แƒ”แƒฅแƒขแƒแƒ แƒ˜
            George Tskitishvili
            Doctor of Arts, Professor of Shota Rustaveli Theater and Film Georgia State University, Director of Dimitri Janelidze Scientific Research Institute of the same university

            แƒ แƒ”แƒ•แƒแƒ– แƒญแƒ˜แƒญแƒ˜แƒœแƒแƒซแƒ”
            แƒกแƒแƒฅแƒแƒ แƒ—แƒ•แƒ”แƒšแƒแƒก แƒจแƒแƒ—แƒ แƒ แƒฃแƒกแƒ—แƒแƒ•แƒ”แƒšแƒ˜แƒก แƒ—แƒ”แƒแƒขแƒ แƒ˜แƒกแƒ แƒ“แƒ แƒ™แƒ˜แƒœแƒแƒก แƒกแƒแƒฎแƒ”แƒšแƒ›แƒฌแƒ˜แƒคแƒ แƒฃแƒœแƒ˜แƒ•แƒ”แƒ แƒกแƒ˜แƒขแƒ”แƒขแƒ˜แƒก แƒ›แƒ”แƒ“แƒ˜แƒ˜แƒกแƒ แƒ“แƒ แƒ›แƒแƒกแƒแƒ‘แƒ แƒ˜แƒ•แƒ˜ แƒ™แƒแƒ›แƒฃแƒœแƒ˜แƒ™แƒแƒชแƒ˜แƒ˜แƒก แƒ›แƒ˜แƒ›แƒแƒ แƒ—แƒฃแƒšแƒ”แƒ‘แƒ˜แƒก แƒแƒกแƒแƒชแƒ˜แƒ แƒ”แƒ‘แƒฃแƒšแƒ˜ แƒžแƒ แƒแƒคแƒ”แƒกแƒแƒ แƒ˜
            Revaz Chichinadze
            Associate Professor of Media and Mass Communication Shota Rustaveli Theatre and Film Georgia State University

            แƒœแƒ˜แƒ™แƒ แƒ™แƒ•แƒแƒ แƒแƒชแƒฎแƒ”แƒšแƒ˜แƒ
            แƒกแƒยญแƒฅแƒแƒ ยญแƒ—ยญแƒ•แƒ”ยญแƒšแƒแƒก แƒกแƒยญแƒžแƒแƒขยญแƒ แƒ˜ยญแƒแƒ ยญแƒฅแƒแƒก แƒฌแƒ›. แƒแƒœยญแƒ“ยญแƒ แƒ˜แƒ แƒžแƒ˜แƒ ยญแƒ•แƒ”แƒšยญแƒฌแƒยญแƒ“แƒ”ยญแƒ‘แƒฃยญแƒšแƒ˜แƒก แƒกแƒยญแƒฎแƒ”ยญแƒšแƒแƒ‘แƒ˜แƒก แƒฅแƒแƒ ยญแƒ—แƒฃยญแƒšแƒ˜ แƒฃแƒœแƒ˜ยญแƒ•แƒ”แƒ ยญแƒกแƒ˜ยญแƒขแƒ”ยญแƒขแƒ˜แƒก แƒžแƒ แƒยญแƒคแƒ”ยญแƒกแƒยญแƒ แƒ˜
            Niko Kvaratskhelia
            Professor of school of business, computing and social sciences in St. Andrew the First-Called Georgian University of the Patriarchate of Georgia

            แฒ—แฒ”แฒแฒขแฒ แฒแฒšแฒแฒ’แฒ˜แฒ
            THEATROLOGY

            Marine (Maka) Vasadze. THE LATEST INTERPRETATIONS OF DAVID KLDIASHVILIโ€™S PROSE ON THE MODERN GEORGIAN STAGE

            แƒ›แƒแƒ แƒ˜แƒœแƒ” (แƒ›แƒแƒ™แƒ) แƒ•แƒแƒกแƒแƒซแƒ”
            แƒ“แƒแƒ•แƒ˜แƒ— แƒ™แƒšแƒ“แƒ˜แƒแƒจแƒ•แƒ˜แƒšแƒ˜แƒก แƒžแƒ แƒแƒ–แƒ˜แƒก แƒฃแƒแƒฎแƒšแƒ”แƒกแƒ˜ แƒ˜แƒœแƒขแƒ”แƒ แƒžแƒ แƒ”แƒขแƒแƒชแƒ˜แƒ”แƒ‘แƒ˜ แƒ—แƒแƒœแƒแƒ›แƒ”แƒ“แƒ แƒแƒ•แƒ” แƒฅแƒแƒ แƒ—แƒฃแƒš แƒกแƒชแƒ”แƒœแƒแƒ–แƒ”

            Marine (Maka) Vasadze
            THE LATEST INTERPRETATIONS OF DAVID KLDIASHVILIโ€™S PROSE ON THE MODERN GEORGIAN STAGE

            แƒ•แƒ แƒชแƒšแƒแƒ“ / read more…

            แƒกแƒแƒ™แƒ•แƒแƒœแƒซแƒ แƒกแƒ˜แƒขแƒงแƒ•แƒ / Keywords: directorial concept | Kldiashviliโ€™s prose | modern interpretation | staging

            Tamar Tsagareli. PERFORMANCE OR RELIGION

            แƒ—แƒแƒ›แƒแƒ  แƒชแƒแƒ’แƒแƒ แƒ”แƒšแƒ˜
            แƒกแƒžแƒ”แƒฅแƒขแƒแƒ™แƒšแƒ˜ แƒ—แƒฃ แƒ แƒ”แƒšแƒ˜แƒ’แƒ˜แƒ

            Tamar Tsagareli
            PERFORMANCE OR RELIGION

            แƒ•แƒ แƒชแƒšแƒแƒ“ / read more…

            แƒกแƒแƒ™แƒ•แƒแƒœแƒซแƒ แƒกแƒ˜แƒขแƒงแƒ•แƒ / Keywords: Middle Ages | แƒ™แƒšแƒ“แƒ˜แƒแƒจแƒ•แƒ˜แƒšแƒ˜แƒก แƒžแƒ แƒแƒ–แƒ

            แฒ™แฒ˜แฒœแฒแฒ›แฒชแฒแฒ“แฒœแฒ”แฒแฒ‘แฒ
            FILM STUDIES

            Zviad Dolidze. THE CHALLENGES OF JAPANESE CINEMA IN THE 1970s

            แƒ–แƒ•แƒ˜แƒแƒ“ แƒ“แƒแƒšแƒ˜แƒซแƒ”
            แƒ˜แƒแƒžแƒแƒœแƒฃแƒ แƒ˜ แƒ™แƒ˜แƒœแƒแƒก แƒ’แƒแƒ›แƒแƒฌแƒ•แƒ”แƒ•แƒ”แƒ‘แƒ˜ 1970-แƒ˜แƒแƒœ แƒฌแƒšแƒ”แƒ‘แƒจแƒ˜

            Zviad Dolidze
            THE CHALLENGES OF JAPANESE CINEMA IN THE 1970s

            แƒ•แƒ แƒชแƒšแƒแƒ“ / read more…

            แƒกแƒแƒ™แƒ•แƒแƒœแƒซแƒ แƒกแƒ˜แƒขแƒงแƒ•แƒ / Keywords: changes | film companies | genres

            Tata Metivishvili. COLOR AND METANARRATIVE: BREAKING THE FOURTH WALL WITH VISUAL SYMBOLISM

            แƒ—แƒแƒ—แƒ แƒ›แƒ”แƒขแƒ˜แƒ•แƒ˜แƒจแƒ•แƒ˜แƒšแƒ˜
            แƒคแƒ”แƒ แƒ˜ แƒ“แƒ แƒ›แƒ”แƒขแƒแƒœแƒแƒ แƒแƒขแƒ˜แƒ•แƒ˜: แƒ›แƒ”แƒแƒ—แƒฎแƒ” แƒ™แƒ”แƒ“แƒšแƒ˜แƒก แƒ’แƒแƒ แƒฆแƒ•แƒ”แƒ•แƒ แƒ•แƒ˜แƒ–แƒฃแƒแƒšแƒฃแƒ แƒ˜ แƒกแƒ˜แƒ›แƒ‘แƒแƒšแƒ˜แƒ™แƒ˜แƒ—

            Tata Metivishvili
            COLOR AND METANARRATIVE: BREAKING THE FOURTH WALL WITH VISUAL SYMBOLISM

            แƒ•แƒ แƒชแƒšแƒแƒ“ / read more…

            แƒกแƒแƒ™แƒ•แƒแƒœแƒซแƒ แƒกแƒ˜แƒขแƒงแƒ•แƒ / Keywords: Color Theory in Film | Fourth Wall | Metanarrative | Visual Symbolism

            Gvantsa Tsiklauri. ARTISTIC EDITING IN DOCUMENTARY CINEMA

            แƒ’แƒ•แƒแƒœแƒชแƒ แƒฌแƒ˜แƒ™แƒšแƒแƒฃแƒ แƒ˜
            แƒ›แƒฎแƒแƒขแƒ•แƒ แƒฃแƒšแƒ˜ แƒ›แƒแƒœแƒขแƒแƒŸแƒ˜ แƒ“แƒแƒ™แƒฃแƒ›แƒ”แƒœแƒขแƒฃแƒ  แƒ™แƒ˜แƒœแƒแƒจแƒ˜

            Gvantsa Tsiklauri
            ARTISTIC EDITING IN DOCUMENTARY CINEMA

            แƒ•แƒ แƒชแƒšแƒแƒ“ / read more…

            แƒกแƒแƒ™แƒ•แƒแƒœแƒซแƒ แƒกแƒ˜แƒขแƒงแƒ•แƒ / Keywords: camera; transformation | Documentary cinema | Editing | filmmaker | interview | reality

            แฒฎแฒ”แฒšแฒแฒ•แฒœแฒ”แฒ‘แฒแฒ—แฒ›แฒชแฒแฒ“แฒœแฒ”แฒแฒ‘แฒ
            MEDIA STUDIES

            Natia Tkemaladze. MEDIA LANGUAGE โ€“ AS A KIND OF STYLE

            แƒœแƒแƒ—แƒ˜แƒ แƒขแƒงแƒ”แƒ›แƒแƒšแƒแƒซแƒ”
            แƒ›แƒ”แƒ“แƒ˜แƒแƒ”แƒœแƒ โ€“ แƒ แƒแƒ’แƒแƒ แƒช แƒกแƒขแƒ˜แƒšแƒ˜แƒก แƒ”แƒ แƒ—แƒ’แƒ•แƒแƒ แƒ˜ แƒกแƒแƒฎแƒ”แƒแƒ‘แƒ

            Natia Tkemaladze
            MEDIA LANGUAGE โ€“ AS A KIND OF STYLE

            แƒ•แƒ แƒชแƒšแƒแƒ“ / read more…

            แƒกแƒแƒ™แƒ•แƒแƒœแƒซแƒ แƒกแƒ˜แƒขแƒงแƒ•แƒ / Keywords: media | Media language | Stylistics

            แฒฅแฒแฒ แฒ”แฒแฒšแฒแฒ’แฒ˜แฒ

            CHOREOLOGY

            Nino Aidarashvili. DANCE AS A METAPHOR AT GEORGIAN DRAMA THEATRE

            แƒœแƒ˜แƒœแƒ แƒแƒ˜แƒ“แƒแƒ แƒแƒจแƒ•แƒ˜แƒšแƒ˜
            แƒฅแƒแƒ แƒ”แƒแƒ’แƒ แƒแƒคแƒ˜แƒ˜แƒก แƒ›แƒ”แƒขแƒแƒคแƒแƒ แƒฃแƒšแƒ˜ แƒ’แƒแƒแƒ–แƒ แƒ”แƒ‘แƒ แƒฅแƒแƒ แƒ—แƒฃแƒšแƒ˜ แƒกแƒแƒ‘แƒญแƒแƒ—แƒ แƒ“แƒ แƒฃแƒแƒฎแƒšแƒ”แƒกแƒ˜ แƒžแƒ”แƒ แƒ˜แƒแƒ“แƒ˜แƒก แƒ“แƒ แƒแƒ›แƒแƒขแƒฃแƒš แƒ—แƒ”แƒแƒขแƒ แƒจแƒ˜

            Nino Aidarashvili
            DANCE AS A METAPHOR AT GEORGIAN DRAMA THEATRE

            แƒ•แƒ แƒชแƒšแƒแƒ“ / read more…

            แƒกแƒแƒ™แƒ•แƒแƒœแƒซแƒ แƒกแƒ˜แƒขแƒงแƒ•แƒ / Keywords: actor | Dance | metaphor | movement | theatre

            Levan Aliashvili. WOMENโ€™S DANCE MYSTERIES ASSOCIATED WITH INCLEMENT WEATHER IN GEORGIA

            แƒšแƒ”แƒ•แƒแƒœ แƒแƒšแƒ˜แƒแƒจแƒ•แƒ˜แƒšแƒ˜
            แƒฃแƒแƒ›แƒ˜แƒœแƒ“แƒแƒ‘แƒแƒกแƒ—แƒแƒœ แƒ“แƒแƒ™แƒแƒ•แƒจแƒ˜แƒ แƒ”แƒ‘แƒฃแƒšแƒ˜ แƒฅแƒแƒšแƒ—แƒ แƒกแƒแƒชแƒ”แƒ™แƒ•แƒแƒ แƒ›แƒ˜แƒกแƒขแƒ”แƒ แƒ˜แƒ”แƒ‘แƒ˜ แƒกแƒแƒฅแƒแƒ แƒ—แƒ•แƒ”แƒšแƒแƒจแƒ˜

            Levan Aliashvili
            WOMENโ€™S DANCE MYSTERIES ASSOCIATED WITH INCLEMENT WEATHER IN GEORGIA

            แƒ•แƒ แƒชแƒšแƒแƒ“ / read more…

            แƒกแƒแƒ™แƒ•แƒแƒœแƒซแƒ แƒกแƒ˜แƒขแƒงแƒ•แƒ / Keywords: Choreography | circle dance performance | corrective action | mystery | religious ceremony | the artistic discipline of dance | traditional circle dance

            แฒ™แฒฃแฒšแฒขแฒฃแฒ แฒฃแฒšแฒ˜ แฒขแฒฃแฒ แฒ˜แฒ–แฒ›แฒ˜ แฒ“แฒ แฒฎแฒ”แฒšแฒแฒ•แฒœแฒ”แฒ‘แฒ˜แฒก แฒ›แฒ”แฒœแฒ”แฒฏแฒ›แฒ”แฒœแฒขแฒ˜
            ART MANAGEMENT AND CULTURAL TOURISM

            Vakhtang Beridze. HISTORY AND CHARACTERISTICS OF CULTURAL ORGANIZATIONS IN THE LATE 19TH CENTURY AND DEMOCRATIC GEORGIA

            แƒ•แƒแƒฎแƒขแƒแƒœแƒ’ แƒ‘แƒ”แƒ แƒ˜แƒซแƒ”
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            Vakhtang Beridze
            HISTORY AND CHARACTERISTICS OF CULTURAL ORGANIZATIONS IN THE LATE 19TH CENTURY AND DEMOCRATIC GEORGIA

            แƒ•แƒ แƒชแƒšแƒแƒ“ / read more…

            แƒกแƒแƒ™แƒ•แƒแƒœแƒซแƒ แƒกแƒ˜แƒขแƒงแƒ•แƒ / Keywords: 19th century Georgia | cultural management | cultural organizations | cultural policy | institutional development

            แƒขแƒ”แƒšแƒ”แƒคแƒแƒœแƒ˜: +995 32 2999411
            แƒ”แƒš. แƒคแƒแƒกแƒขแƒ: kentavri@tafu.edu.ge

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