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            โ„–2 (101). 2026
            July 9, 2026
            Ketevan Khokhiashvili. The Interpretation Of Aeschylusโ€™s Oresteia Trilogy In Eugene Oโ€™neillโ€™s Play Cycle Mourning Becomes Electra
            July 2, 2024
            Published by Admin on December 31, 2025
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            โ„–3 (99) 2025

            แƒฌแƒแƒ™แƒ˜แƒ—แƒฎแƒ•แƒ / Read

            แฒกแฒแฒ แฒ”แฒ“แฒแฒฅแฒชแฒ˜แฒ แฒกแฒแฒ‘แฒญแฒ
            EDITORIAL BOARD

            แƒšแƒ”แƒšแƒ แƒแƒฉแƒ˜แƒแƒฃแƒ แƒ˜
            แƒ™แƒ˜แƒœแƒแƒ›แƒชแƒแƒ“แƒœแƒ”, แƒกแƒแƒฅแƒแƒ แƒ—แƒ•แƒ”แƒšแƒแƒก แƒจแƒแƒ—แƒ แƒ แƒฃแƒกแƒ—แƒแƒ•แƒ”แƒšแƒ˜แƒก แƒ—แƒ”แƒแƒขแƒ แƒ˜แƒกแƒ แƒ“แƒ แƒ™แƒ˜แƒœแƒแƒก แƒกแƒแƒฎแƒ”แƒšแƒ›แƒฌแƒ˜แƒคแƒ แƒฃแƒœแƒ˜แƒ•แƒ”แƒ แƒกแƒ˜แƒขแƒ”แƒขแƒ˜แƒก แƒฎแƒ”แƒšแƒแƒ•แƒœแƒ”แƒ‘แƒแƒ—แƒ›แƒชแƒแƒ“แƒœแƒ”แƒแƒ‘แƒ˜แƒก แƒ“แƒแƒฅแƒขแƒแƒ แƒ˜, แƒžแƒ แƒแƒคแƒ”แƒกแƒแƒ แƒ˜
            Lela Ochiauri
            Doctor of Arts, Professor of Shota Rustaveli Theater and Film Georgia State University

            แƒœแƒแƒขแƒ แƒ’แƒ”แƒœแƒ’แƒ˜แƒฃแƒ แƒ˜
            แƒฎแƒ”แƒšแƒแƒ•แƒœแƒ”แƒ‘แƒแƒ—แƒ›แƒชแƒแƒ“แƒœแƒ”, แƒกแƒแƒฅแƒแƒ แƒ—แƒ•แƒ”แƒšแƒแƒก แƒจแƒแƒ—แƒ แƒ แƒฃแƒกแƒ—แƒแƒ•แƒ”แƒšแƒ˜แƒก แƒ—แƒ”แƒแƒขแƒ แƒ˜แƒกแƒ แƒ“แƒ แƒ™แƒ˜แƒœแƒแƒก แƒกแƒแƒฎแƒ”แƒšแƒ›แƒฌแƒ˜แƒคแƒ แƒฃแƒœแƒ˜แƒ•แƒ”แƒ แƒกแƒ˜แƒขแƒ”แƒขแƒ˜แƒก แƒฎแƒ”แƒšแƒแƒ•แƒœแƒ”แƒ‘แƒแƒ—แƒ›แƒชแƒแƒ“แƒœแƒ”แƒแƒ‘แƒ˜แƒก แƒ“แƒแƒฅแƒขแƒแƒ แƒ˜, แƒžแƒ แƒแƒคแƒ”แƒกแƒแƒ แƒ˜
            Nato Gengiuri
            Doctor of Arts, Professor of Shota Rustaveli Theater and Film Georgia State University

            แƒ’แƒ˜แƒแƒ แƒ’แƒ˜ แƒชแƒฅแƒ˜แƒขแƒ˜แƒจแƒ•แƒ˜แƒšแƒ˜
            แƒ—แƒ”แƒแƒขแƒ แƒแƒšแƒแƒ’แƒ˜, แƒกแƒแƒฅแƒแƒ แƒ—แƒ•แƒ”แƒšแƒแƒก แƒจแƒแƒ—แƒ แƒ แƒฃแƒกแƒ—แƒแƒ•แƒ”แƒšแƒ˜แƒก แƒ—แƒ”แƒแƒขแƒ แƒ˜แƒกแƒ แƒ“แƒ แƒ™แƒ˜แƒœแƒแƒก แƒกแƒแƒฎแƒ”แƒšแƒ›แƒฌแƒ˜แƒคแƒ แƒฃแƒœแƒ˜แƒ•แƒ”แƒ แƒกแƒ˜แƒขแƒ”แƒขแƒ˜แƒก แƒฎแƒ”แƒšแƒแƒ•แƒœแƒ”แƒ‘แƒแƒ—แƒ›แƒชแƒแƒ“แƒœแƒ”แƒแƒ‘แƒ˜แƒก แƒ“แƒแƒฅแƒขแƒแƒ แƒ˜, แƒแƒ›แƒแƒ•แƒ” แƒฃแƒœแƒ˜แƒ•แƒ”แƒ แƒกแƒ˜แƒขแƒ”แƒขแƒ˜แƒก แƒ“แƒ˜แƒ›แƒ˜แƒขแƒ แƒ˜ แƒฏแƒแƒœแƒ”แƒšแƒ˜แƒซแƒ˜แƒก แƒกแƒแƒฎแƒ”แƒšแƒแƒ‘แƒ˜แƒก แƒกแƒแƒ›แƒ”แƒชแƒœแƒ˜แƒ”แƒ แƒ-แƒ™แƒ•แƒšแƒ”แƒ•แƒ˜แƒ—แƒ˜ แƒ˜แƒœแƒกแƒขแƒ˜แƒขแƒฃแƒขแƒ˜แƒก แƒ“แƒ˜แƒ แƒ”แƒฅแƒขแƒแƒ แƒ˜
            George Tskitishvili
            Doctor of Arts, Professor of Shota Rustaveli Theater and Film Georgia State University, Director of Dimitri Janelidze Scientific Research Institute of the same university

            แƒ›แƒแƒ™แƒ (แƒ›แƒแƒ แƒ˜แƒœแƒ”) แƒ•แƒแƒกแƒแƒซแƒ”
            แƒฎแƒ”แƒšแƒแƒ•แƒœแƒ”แƒ‘แƒแƒ—แƒ›แƒชแƒแƒ“แƒœแƒ”แƒแƒ‘แƒ˜แƒก แƒ“แƒแƒฅแƒขแƒแƒ แƒ˜, แƒกแƒแƒฅแƒแƒ แƒ—แƒ•แƒ”แƒšแƒแƒก แƒจแƒแƒ—แƒ แƒ แƒฃแƒกแƒ—แƒแƒ•แƒ”แƒšแƒ˜แƒก แƒ—แƒ”แƒแƒขแƒ แƒ˜แƒกแƒ แƒ“แƒ แƒ™แƒ˜แƒœแƒแƒก แƒกแƒแƒฎแƒ”แƒšแƒ›แƒฌแƒ˜แƒคแƒ แƒฃแƒœแƒ˜แƒ•แƒ”แƒ แƒกแƒ˜แƒขแƒ”แƒขแƒ˜แƒก แƒแƒกแƒแƒชแƒ˜แƒ แƒ”แƒ‘แƒฃแƒšแƒ˜ แƒžแƒ แƒแƒคแƒ”แƒกแƒแƒ แƒ˜
            Marine (Maka) Vasadze
            Doctor of Arts, Associate Professor Shota Rustaveli Theatre and Film Georgia State University

            แƒ“แƒแƒ•แƒ˜แƒ— แƒฏแƒแƒœแƒ”แƒšแƒ˜แƒซแƒ”
            แƒกแƒแƒฅแƒแƒ แƒ—แƒ•แƒ”แƒšแƒแƒก แƒจแƒแƒ—แƒ แƒ แƒฃแƒกแƒ—แƒแƒ•แƒ”แƒšแƒ˜แƒก แƒ—แƒ”แƒแƒขแƒ แƒ˜แƒกแƒ แƒ“แƒ แƒ™แƒ˜แƒœแƒแƒก แƒกแƒแƒฎแƒ”แƒšแƒ›แƒฌแƒ˜แƒคแƒ แƒฃแƒœแƒ˜แƒ•แƒ”แƒ แƒกแƒ˜แƒขแƒ”แƒขแƒ˜แƒก แƒžแƒ แƒแƒคแƒ”แƒกแƒแƒ แƒ˜ แƒ“แƒ แƒแƒ›แƒแƒ•แƒ” แƒฃแƒœแƒ˜แƒ•แƒ”แƒ แƒกแƒ˜แƒขแƒ”แƒขแƒ˜แƒก แƒกแƒ”แƒœแƒแƒขแƒ˜แƒก แƒ—แƒแƒ•แƒ›แƒฏแƒ“แƒแƒ›แƒแƒ แƒ”
            Davit Janelidze
            Professor of Shota Rustaveli Theatre and Film Georgia State University and chairman of the board of the same university

            แƒแƒœแƒ“แƒ แƒ แƒ”แƒœแƒฃแƒฅแƒ˜แƒซแƒ”
            แƒกแƒแƒฅแƒแƒ แƒ—แƒ•แƒ”แƒšแƒแƒก แƒจแƒแƒ—แƒ แƒ แƒฃแƒกแƒ—แƒแƒ•แƒ”แƒšแƒ˜แƒก แƒ—แƒ”แƒแƒขแƒ แƒ˜แƒกแƒ แƒ“แƒ แƒ™แƒ˜แƒœแƒแƒก แƒกแƒแƒฎแƒ”แƒšแƒ›แƒฌแƒ˜แƒคแƒ แƒฃแƒœแƒ˜แƒ•แƒ”แƒ แƒกแƒ˜แƒขแƒ”แƒขแƒ˜แƒก แƒแƒกแƒแƒชแƒ˜แƒ แƒ”แƒ‘แƒฃแƒšแƒ˜ แƒžแƒ แƒแƒคแƒ”แƒกแƒแƒ แƒ˜, แƒฎแƒ”แƒšแƒแƒ•แƒœแƒ”แƒ‘แƒ˜แƒก แƒ“แƒแƒฅแƒขแƒแƒ แƒ˜
            Andro Enukidze
            Associate Professor of Shota Rustaveli Theatre and Film Georgia State University, Doctor of Arts

            แƒแƒœแƒ“แƒ แƒแƒœแƒ˜แƒ™แƒ แƒ›แƒแƒ แƒขแƒแƒœแƒแƒ•แƒ
            แƒ™แƒ˜แƒœแƒแƒฎแƒ”แƒšแƒแƒ•แƒœแƒ”แƒ‘แƒ˜แƒก แƒ“แƒ”แƒžแƒแƒ แƒขแƒแƒ›แƒ”แƒœแƒขแƒ˜แƒก แƒฎแƒ”แƒšแƒ›แƒซแƒฆแƒ•แƒแƒœแƒ”แƒšแƒ˜, แƒแƒกแƒแƒชแƒ˜แƒ แƒ”แƒ‘แƒฃแƒšแƒ˜ แƒžแƒ แƒแƒคแƒ”แƒกแƒแƒ แƒ˜. แƒ“แƒแƒฅแƒขแƒแƒ แƒ˜. แƒ‘แƒฃแƒšแƒ’แƒแƒ แƒ”แƒ—แƒ˜แƒก แƒ›แƒ”แƒชแƒœแƒ˜แƒ”แƒ แƒ”แƒ‘แƒแƒ—แƒ แƒแƒ™แƒแƒ“แƒ”แƒ›แƒ˜แƒ โ€“ แƒฎแƒ”แƒšแƒแƒ•แƒœแƒ”แƒ‘แƒแƒ—แƒ›แƒชแƒแƒ“แƒœแƒ”แƒแƒ‘แƒ˜แƒก แƒ˜แƒœแƒกแƒขแƒ˜แƒขแƒฃแƒขแƒ˜, แƒ‘แƒฃแƒšแƒ’แƒแƒ แƒ”แƒ—แƒ˜
            Andronika Martonova
            Head of the Department of Cinematography, Associate Professor. Dr. Bulgarian Academy of Sciences โ€“ Institute of Art Studies, Bulgaria

            แƒแƒœแƒ“แƒ แƒ”แƒ˜ แƒ›แƒแƒกแƒ™แƒ•แƒ˜แƒœแƒ˜
            แƒคแƒ˜แƒšแƒแƒšแƒแƒ’แƒ˜, แƒกแƒšแƒแƒ•แƒ˜แƒกแƒขแƒ˜, แƒ™แƒฃแƒšแƒขแƒฃแƒ แƒแƒšแƒแƒ’แƒ˜, แƒ—แƒ”แƒแƒขแƒ แƒแƒšแƒแƒ’แƒ˜, แƒ›แƒ—แƒแƒ แƒ’แƒ›แƒœแƒ”แƒšแƒ˜, แƒ“แƒ แƒแƒ›แƒแƒขแƒฃแƒ แƒ’แƒ˜ แƒžแƒ แƒแƒคแƒ”แƒกแƒแƒ แƒ˜. แƒ•แƒแƒ แƒจแƒแƒ•แƒ˜แƒก แƒฃแƒœแƒ˜แƒ•แƒ”แƒ แƒกแƒ˜แƒขแƒ”แƒขแƒ˜แƒก (แƒชแƒ”แƒœแƒขแƒ แƒแƒšแƒฃแƒ แƒ˜ แƒ“แƒ แƒแƒฆแƒ›แƒแƒกแƒแƒ•แƒšแƒ”แƒ— แƒ”แƒ•แƒ แƒแƒžแƒ˜แƒก แƒ˜แƒœแƒขแƒ”แƒ แƒ™แƒฃแƒšแƒขแƒฃแƒ แƒฃแƒšแƒ˜ แƒ™แƒ•แƒšแƒ”แƒ•แƒ”แƒ‘แƒ˜แƒก แƒ’แƒแƒœแƒงแƒแƒคแƒ˜แƒšแƒ”แƒ‘แƒ แƒ’แƒแƒ›แƒแƒงแƒ”แƒœแƒ”แƒ‘แƒ˜แƒ—แƒ˜ แƒšแƒ˜แƒœแƒ’แƒ•แƒ˜แƒกแƒขแƒ˜แƒ™แƒ˜แƒก แƒคแƒแƒ™แƒฃแƒšแƒขแƒ”แƒขแƒ–แƒ”) แƒ—แƒ”แƒแƒขแƒ แƒ˜แƒกแƒ แƒ“แƒ แƒ“แƒ แƒแƒ›แƒ˜แƒก แƒชแƒ”แƒœแƒขแƒ แƒแƒšแƒฃแƒ แƒ˜ แƒ™แƒ•แƒšแƒ”แƒ•แƒ”แƒ‘แƒ˜แƒก แƒšแƒแƒ‘แƒแƒ แƒแƒขแƒแƒ แƒ˜แƒ˜แƒก แƒฎแƒ”แƒšแƒ›แƒซแƒฆแƒ•แƒแƒœแƒ”แƒšแƒ˜. แƒแƒฆแƒ›แƒแƒกแƒแƒ•แƒšแƒ”แƒ— แƒ”แƒ•แƒ แƒแƒžแƒ˜แƒก แƒกแƒแƒ›แƒ”แƒชแƒœแƒ˜แƒ”แƒ แƒ แƒŸแƒฃแƒ แƒœแƒแƒšแƒ˜แƒก โ€žแƒชแƒ”แƒœแƒขแƒ แƒแƒšแƒฃแƒ แƒ˜ แƒ“แƒ แƒแƒฆแƒ›แƒแƒกแƒแƒ•แƒšแƒ”แƒ— แƒ”แƒ•แƒ แƒแƒžแƒ˜แƒก แƒ—แƒ”แƒแƒขแƒ แƒ›แƒชแƒแƒ“แƒœแƒ”แƒแƒ‘แƒ˜แƒกโ€œ แƒ›แƒ—แƒแƒ•แƒแƒ แƒ˜ แƒ แƒ”แƒ“แƒแƒฅแƒขแƒแƒ แƒ˜. แƒžแƒแƒšแƒแƒœแƒ”แƒ—แƒ˜
            Andrei Moskvin
            Philologist, Slavologist, culturologist, theater expert, translator, dramatist professor. Head of the Central Research Laboratory of Theater and Drama at the University of Warsaw (Department of Intercultural Studies of Central and Eastern Europe at the Faculty of Applied Linguistics). Editor-in-Chief of the Eastern European Scientific Journal โ€œCentral and Eastern European Theater Studiesโ€. Poland

            แƒ แƒแƒ˜ แƒฐแƒแƒ แƒแƒ•แƒ˜แƒชแƒ˜
            แƒ‘แƒแƒ -แƒ˜แƒšแƒแƒœแƒ˜แƒก แƒฃแƒœแƒ˜แƒ•แƒ”แƒ แƒกแƒ˜แƒขแƒ”แƒขแƒ˜แƒก แƒšแƒ˜แƒขแƒ”แƒ แƒแƒขแƒฃแƒ แƒ˜แƒก แƒ’แƒแƒœแƒงแƒแƒคแƒ˜แƒšแƒ”แƒ‘แƒ˜แƒก แƒฃแƒคแƒ แƒแƒกแƒ˜ แƒšแƒ”แƒฅแƒขแƒแƒ แƒ˜. แƒ“แƒแƒฅแƒขแƒแƒ แƒ›แƒ แƒฐแƒแƒ แƒแƒ•แƒ˜แƒชแƒ›แƒ แƒ›แƒ˜แƒ˜แƒฆแƒ แƒ“แƒแƒฅแƒขแƒแƒ แƒ˜. แƒ›แƒกแƒแƒฎแƒ˜แƒแƒ‘แƒ˜, แƒ แƒ”แƒŸแƒ˜แƒกแƒแƒ แƒ˜, แƒ“แƒ แƒแƒ›แƒแƒขแƒฃแƒ แƒ’แƒ˜. แƒ“แƒ”แƒ•แƒ˜แƒ“ แƒ˜แƒ”แƒšแƒ˜แƒœแƒ˜แƒก แƒ™แƒแƒšแƒ”แƒฏแƒ˜, แƒ˜แƒกแƒ แƒแƒ”แƒšแƒ˜
            Roy Horowitz
            Senior Lecturer of Bar-Ilan University Department of Literature. Dr. Horowitz received his Ph.D. Actor, director, and playwright. David Yellin College, Israel

            แƒแƒœแƒแƒ แƒ แƒ”แƒ แƒ™แƒ”แƒ‘แƒแƒ˜
            แƒแƒฃแƒ”แƒ–แƒแƒ•แƒ˜แƒก แƒกแƒแƒฎแƒ”แƒšแƒแƒ‘แƒ˜แƒก แƒšแƒ˜แƒขแƒ”แƒ แƒแƒขแƒฃแƒ แƒ˜แƒกแƒ แƒ“แƒ แƒฎแƒ”แƒšแƒแƒ•แƒœแƒ”แƒ‘แƒ˜แƒก แƒ˜แƒœแƒกแƒขแƒ˜แƒขแƒฃแƒขแƒ˜. แƒ“แƒแƒฅแƒขแƒแƒ แƒ˜, แƒงแƒแƒ–แƒแƒฎแƒ”แƒ—แƒ˜
            Anara Erkebay
            Auezov Institute of Literature and Art. Doctor, Kazakhstan

            แฒ—แฒ”แฒแฒขแฒ แฒแฒšแฒแฒ’แฒ˜แฒ
            THEATROLOGY

            Tamta Tavdishvili. Integrating the Feldenkrais Method and Psychophysical Exercises Into Actor Training

            แƒ—แƒแƒ›แƒ—แƒ แƒ—แƒแƒ•แƒ“แƒ˜แƒจแƒ•แƒ˜แƒšแƒ˜
            แƒ›แƒแƒจแƒ” แƒคแƒ”แƒšแƒ“แƒ”แƒœแƒ™แƒ แƒแƒ˜แƒกแƒ˜แƒก แƒ›แƒ”แƒ—แƒแƒ“แƒ˜ แƒ›แƒกแƒแƒฎแƒ˜แƒแƒ‘แƒ”แƒ‘แƒ˜แƒกแƒ—แƒ•แƒ˜แƒก แƒ“แƒ แƒคแƒกแƒ˜แƒฅแƒแƒกแƒแƒ›แƒแƒขแƒฃแƒ แƒ˜ แƒกแƒแƒ•แƒแƒ แƒฏแƒ˜แƒจแƒแƒ”แƒ‘แƒ˜แƒก แƒ˜แƒœแƒขแƒ”แƒ’แƒ แƒ˜แƒ แƒ”แƒ‘แƒ แƒกแƒแƒกแƒฌแƒแƒ•แƒšแƒ แƒ’แƒ”แƒ’แƒ›แƒแƒจแƒ˜

            Tamta Tavdishvili
            Integrating the Feldenkrais Method and Psychophysical Exercises Into Actor Training

            แƒ•แƒ แƒชแƒšแƒแƒ“ / read more…

            แƒกแƒแƒ™แƒ•แƒแƒœแƒซแƒ แƒกแƒ˜แƒขแƒงแƒ•แƒ / Keywords: แƒ”แƒ›แƒแƒชแƒ˜แƒฃแƒ แƒ˜ แƒ—แƒ•แƒ˜แƒ—แƒ’แƒแƒ›แƒแƒฎแƒแƒขแƒ•แƒ | แƒ™แƒฃแƒœแƒ—แƒ˜แƒก แƒ›แƒ”แƒฎแƒกแƒ˜แƒ”แƒ แƒ”แƒ‘แƒ | แƒกแƒฎแƒ”แƒฃแƒšแƒ˜ | แƒกแƒฎแƒ”แƒฃแƒšแƒ˜แƒก แƒ›แƒแƒ›แƒ–แƒแƒ“แƒ”แƒ‘แƒ | แƒคแƒกแƒ˜แƒฅแƒแƒกแƒแƒ›แƒแƒขแƒฃแƒ แƒ˜ แƒ›แƒแƒซแƒ แƒแƒแƒ‘แƒ | แƒชแƒœแƒแƒ‘แƒ˜แƒ”แƒ แƒ˜

            Tamar Tsagareli. Theatre or Religion (German Jesuits on Drama and Theater)

            แƒ—แƒแƒ›แƒแƒ  แƒชแƒแƒ’แƒแƒ แƒ”แƒšแƒ˜
            แƒ—แƒ”แƒแƒขแƒ แƒ˜ แƒ—แƒฃ แƒ แƒ”แƒšแƒ˜แƒ’แƒ˜แƒ (แƒ’แƒ”แƒ แƒ›แƒแƒœแƒ”แƒšแƒ˜ แƒ˜แƒ”แƒ–แƒฃแƒ˜แƒขแƒ”แƒ‘แƒ˜ แƒ“แƒ แƒแƒ›แƒแƒกแƒ แƒ“แƒ แƒ—แƒ”แƒแƒขแƒ แƒ–แƒ”)

            Tamar Tsagareli
            Theatre or Religion (German Jesuits on Drama and Theater)

            แƒ•แƒ แƒชแƒšแƒแƒ“ / read more…

            แƒกแƒแƒ™แƒ•แƒแƒœแƒซแƒ แƒกแƒ˜แƒขแƒงแƒ•แƒ / Keywords: Artistic science | Drama | German Jesuits | religion | Theater | Theory

            แฒ™แฒ˜แฒœแฒแฒ›แฒชแฒแฒ“แฒœแฒ”แฒแฒ‘แฒ
            FILM STUDIES

            Ketevan Akhobadze, Natia Khorbaladze. The Specifics of the Confrontation Between Traditional and Modern Culture in the 20s of the 21st Century (On the Example of Georgian Cinema)

            แƒฅแƒ”แƒ—แƒ”แƒ•แƒแƒœ แƒแƒฎแƒแƒ‘แƒแƒซแƒ”, แƒœแƒแƒ—แƒ˜แƒ แƒฎแƒแƒ แƒ‘แƒแƒšแƒแƒซแƒ”
            แƒขแƒ แƒแƒ“แƒ˜แƒชแƒ˜แƒฃแƒšแƒ˜ แƒ“แƒ แƒ—แƒแƒœแƒแƒ›แƒ”แƒ“แƒ แƒแƒ•แƒ” แƒ™แƒฃแƒšแƒขแƒฃแƒ แƒ˜แƒก แƒ“แƒแƒžแƒ˜แƒ แƒ˜แƒกแƒžแƒ˜แƒ แƒ”แƒ‘แƒ˜แƒก แƒกแƒžแƒ”แƒชแƒ˜แƒคแƒ˜แƒ™แƒ XXI แƒกแƒแƒฃแƒ™แƒฃแƒœแƒ˜แƒก 20-แƒ˜แƒแƒœ แƒฌแƒšแƒ”แƒ‘แƒจแƒ˜ (แƒฅแƒแƒ แƒ—แƒฃแƒšแƒ˜ แƒ™แƒ˜แƒœแƒแƒก แƒ›แƒแƒ’แƒแƒšแƒ˜แƒ—แƒ–แƒ”)

            Ketevan Akhobadze, Natia Khorbaladze
            The Specifics of the Confrontation Between Traditional and Modern Culture in the 20s of the 21st Century (On the Example of Georgian Cinema)

            แƒ•แƒ แƒชแƒšแƒแƒ“ / read more…

            แƒกแƒแƒ™แƒ•แƒแƒœแƒซแƒ แƒกแƒ˜แƒขแƒงแƒ•แƒ / Keywords: cinema | confrontation | culture | identity | innovation | tradition | transformation

            Gvantsa Meparishvili. Ideological TV Film – Epochal Syndrome

            แƒ’แƒ•แƒแƒœแƒชแƒ แƒ›แƒ”แƒคแƒแƒ แƒ˜แƒจแƒ•แƒ˜แƒšแƒ˜
            90-แƒ˜แƒแƒœแƒ˜ แƒฌแƒšแƒ”แƒ‘แƒ˜แƒก แƒกแƒแƒขแƒ”แƒšแƒ”แƒ•แƒ˜แƒ–แƒ˜แƒ แƒ“แƒแƒ™แƒฃแƒ›แƒ”แƒœแƒขแƒฃแƒ แƒ˜ แƒคแƒ˜แƒšแƒ›แƒ˜ แƒ“แƒ แƒ“แƒ แƒแƒ˜แƒก แƒ™แƒแƒœแƒขแƒ”แƒฅแƒกแƒขแƒ˜

            Gvantsa Meparishvili
            Ideological TV Film – Epochal Syndrome

            แƒ•แƒ แƒชแƒšแƒแƒ“ / read more…

            แƒกแƒแƒ™แƒ•แƒแƒœแƒซแƒ แƒกแƒ˜แƒขแƒงแƒ•แƒ / Keywords: director | film | ideological films | media | propaganda | television

            Giorgi Razmadze. The Illegal Streaming in Georgia Digital Capitalism and the Response to it

            แƒ’แƒ˜แƒแƒ แƒ’แƒ˜ แƒ แƒแƒ–แƒ›แƒแƒซแƒ”
            แƒแƒ แƒแƒšแƒ”แƒ’แƒแƒšแƒฃแƒ แƒ˜ แƒกแƒขแƒ แƒ˜แƒ›แƒ˜แƒœแƒ’แƒ˜ แƒกแƒแƒฅแƒแƒ แƒ—แƒ•แƒ”แƒšแƒแƒจแƒ˜ แƒชแƒ˜แƒคแƒ แƒฃแƒšแƒ˜ แƒ™แƒแƒžแƒ˜แƒขแƒแƒšแƒ˜แƒ–แƒ›แƒ˜ แƒ“แƒ แƒ›แƒแƒกแƒ–แƒ” แƒžแƒแƒกแƒฃแƒฎแƒ˜

            Giorgi Razmadze
            The Illegal Streaming in Georgia Digital Capitalism and the Response to it

            แƒ•แƒ แƒชแƒšแƒแƒ“ / read more…

            แƒกแƒแƒ™แƒ•แƒแƒœแƒซแƒ แƒกแƒ˜แƒขแƒงแƒ•แƒ / Keywords: big data capitalism | Internet development in Georgia | partisanship on the Internet | streaming services

            แฒ›แฒ”แฒ“แฒ˜แฒ˜แฒก แฒ™แฒ•แฒšแฒ”แฒ•แฒ”แฒ‘แฒ˜
            MEDIA STUDIES

            Gvantsa Liparteliani. The Importance of Cultural Multimedia Projects in Education and Rising Public Awareness

            แƒ’แƒ•แƒแƒœแƒชแƒ แƒšแƒ˜แƒžแƒแƒ แƒขแƒ”แƒšแƒ˜แƒแƒœแƒ˜
            แƒ™แƒฃแƒšแƒขแƒฃแƒ แƒแƒšแƒแƒ’แƒ˜แƒฃแƒ แƒ˜ แƒ›แƒฃแƒšแƒขแƒ˜แƒ›แƒ”แƒ“แƒ˜แƒฃแƒ แƒ˜ แƒžแƒ แƒแƒ”แƒฅแƒขแƒ”แƒ‘แƒ˜แƒก แƒ›แƒœแƒ˜แƒจแƒ•แƒœแƒ”แƒšแƒแƒ‘แƒ แƒ’แƒแƒœแƒแƒ—แƒšแƒ”แƒ‘แƒแƒกแƒ แƒ“แƒ แƒกแƒแƒ–แƒแƒ’แƒแƒ“แƒแƒ”แƒ‘แƒ แƒ˜แƒ•แƒ˜ แƒชแƒœแƒแƒ‘แƒ˜แƒ”แƒ แƒ”แƒ‘แƒ˜แƒก แƒแƒ›แƒแƒฆแƒšแƒ”แƒ‘แƒ˜แƒก แƒžแƒ แƒแƒชแƒ”แƒกแƒจแƒ˜

            Gvantsa Liparteliani
            The Importance of Cultural Multimedia Projects in Education and Rising Public Awareness

            แƒ•แƒ แƒชแƒšแƒแƒ“ / read more…

            แƒกแƒแƒ™แƒ•แƒแƒœแƒซแƒ แƒกแƒ˜แƒขแƒงแƒ•แƒ / Keywords: augmented reality | civic engagement | cultural identity | culturology | digital culture | digital museum | education | Georgia | multimedia | public awareness | social media | virtual museums | virtual reality

            แฒฎแฒ”แฒšแฒแฒ•แฒœแฒ”แฒ‘แฒ˜แฒก แฒ›แฒ”แฒœแฒ”แฒฏแฒ›แฒ”แฒœแฒขแฒ˜ แฒ“แฒ แฒ™แฒฃแฒšแฒขแฒฃแฒ แฒฃแฒšแฒ˜ แฒขแฒฃแฒ แฒ˜แฒ–แฒ›แฒ˜
            ART MANAGEMENT AND CULTURAL TOURISM

            Vakhtang Beridze. Institutional Evolution of the Cultural Sector in Georgia: Three Eras of Statehood

            แƒ•แƒแƒฎแƒขแƒแƒœแƒ’ แƒ‘แƒ”แƒ แƒ˜แƒซแƒ”
            แƒกแƒแƒฅแƒแƒ แƒ—แƒ•แƒ”แƒšแƒแƒก แƒ™แƒฃแƒšแƒขแƒฃแƒ แƒ˜แƒก แƒ˜แƒœแƒกแƒขแƒ˜แƒขแƒฃแƒชแƒ˜แƒฃแƒ แƒ˜ แƒ’แƒแƒœแƒ•แƒ˜แƒ—แƒแƒ แƒ”แƒ‘แƒ แƒกแƒแƒ›แƒ˜ แƒกแƒแƒฎแƒ”แƒšแƒ›แƒฌแƒ˜แƒคแƒแƒ”แƒ‘แƒ แƒ˜แƒ•แƒ˜ แƒ”แƒžแƒแƒฅแƒ˜แƒก แƒ’แƒแƒœแƒ›แƒแƒ•แƒšแƒแƒ‘แƒแƒจแƒ˜

            Vakhtang Beridze
            Institutional Evolution of the Cultural Sector in Georgia: Three Eras of Statehood

            แƒ•แƒ แƒชแƒšแƒแƒ“ / read more…

            แƒกแƒแƒ™แƒ•แƒแƒœแƒซแƒ แƒกแƒ˜แƒขแƒงแƒ•แƒ / Keywords: cultural policy | Soviet Repression | Systemic Changes

            Tinatin Khutsishvili. The Origins of Local Self-government in Ancient Greece: the Interrelation of Culture, Economy, and Democracy

            แƒ—แƒ˜แƒœแƒแƒ—แƒ˜แƒœ แƒฎแƒฃแƒชแƒ˜แƒจแƒ•แƒ˜แƒšแƒ˜
            แƒแƒ“แƒ’แƒ˜แƒšแƒแƒ‘แƒ แƒ˜แƒ•แƒ˜ แƒ—แƒ•แƒ˜แƒ—แƒ›แƒ›แƒแƒ แƒ—แƒ•แƒ”แƒšแƒแƒ‘แƒ˜แƒก แƒกแƒแƒคแƒฃแƒซแƒ•แƒšแƒ”แƒ‘แƒ˜ แƒแƒœแƒขแƒ˜แƒ™แƒฃแƒ  แƒžแƒ”แƒ แƒ˜แƒแƒ“แƒจแƒ˜: แƒ™แƒฃแƒšแƒขแƒฃแƒ แƒ˜แƒกแƒ แƒ“แƒ แƒ”แƒ™แƒแƒœแƒแƒ›แƒ˜แƒ™แƒ˜แƒก แƒฃแƒ แƒ—แƒ˜แƒ”แƒ แƒ—แƒ’แƒแƒ•แƒšแƒ”แƒœแƒ˜แƒก แƒแƒœแƒแƒšแƒ˜แƒ–แƒ˜

            Tinatin Khutsishvili
            The Origins of Local Self-government in Ancient Greece: the Interrelation of Culture, Economy, and Democracy

            แƒ•แƒ แƒชแƒšแƒแƒ“ / read more…

            แƒกแƒแƒ™แƒ•แƒแƒœแƒซแƒ แƒกแƒ˜แƒขแƒงแƒ•แƒ / Keywords: Athens | Cleisthenes | culture | Democracy | Economy | Golden Age | Local self-government | Pericles | Solon

            แƒขแƒ”แƒšแƒ”แƒคแƒแƒœแƒ˜: +995 32 2999411
            แƒ”แƒš. แƒคแƒแƒกแƒขแƒ: kentavri@tafu.edu.ge

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