April 17, 2026

Gvantsa Guliashvili-Liparteliani. Signs of the Theatre of the Absurd in Greek Mythology – a Unified Summary

April 17, 2026

Tamta Tavdishvili. The Somatic Laboratory: a Phenomenological Analysis of Energy Flows and Vibration-Al Dynamics in Actor Transformation

April 17, 2026

Sofiko Kikabidze. Georgian Folklore and its Stage Appearance in the Drama Theater (On the Example of Sandro Akhmeteli’s «Lamara» and «Tetnuldi»)

April 17, 2026

Lasha Chkhartishvili. Even Death is Humane; The Human Being is not (Contemporary Georgian Theatre in the Context of the Crisis of Humanism)

December 31, 2025

Tamta Tavdishvili. Integrating the Feldenkrais Method and Psychophysical Exercises Into Actor Training

December 31, 2025

Tamar Tsagareli. Theatre or Religion (German Jesuits on Drama and Theater)

April 28, 2025

Tata Metivishvili. COLOR AND METANARRATIVE: BREAKING THE FOURTH WALL WITH VISUAL SYMBOLISM

April 28, 2025

Vakhtang Beridze. HISTORY AND CHARACTERISTICS OF CULTURAL ORGANIZATIONS IN THE LATE 19TH CENTURY AND DEMOCRATIC GEORGIA

April 28, 2025

Nino Aidarashvili. DANCE AS A METAPHOR AT GEORGIAN DRAMA THEATRE